The virtual performance Women in Battle # 3 introduces strong and diverse female voices in
literature and music focusing on representatives of last and this year guest country of honor by
presenting outstanding protagonists such as Synnove Persen, Jeannine Masika Lukusa, Cris
Derksen oder Canisia Lubrin among others . The event exhibits works of different stylistic
directions and unites them in a common project with four languages implemented such as Sami,
Norwegian, English and German. The Moderator of the event and Presenter of the German text
Selection will be Shelly Kupferberg.
EXPLORING BLANKNESS – NORDWIND FESTIVAL 2019
ERNA ÓMARSDÓTTIR / HALLA ÓLAFSDÓTTIR: ROMEO & JULIA
ERNA OMARSDOTTIR / HALLA OLAFSDOTTIR: ROMEO & JULIET
40/32/24/12 Euro (red. ab 9 Euro, [k]-Karte 6 Euro)
Short introduction 20 mintes before the show in the Foyer
*Early Boarding for all shows
MADAME NIELSEN: EIN ABEND MIT AUSSTELLUNG, LESUNG UND KONZERT
Madame Nielsen’s playful handling of gender roles and unassignable self-perception and external perception disturbs and impresses at the same time and blurs clear boundaries of orientation. This makes her/him one of the most controversial, fascinating and diverse contemporary artists* and authors* in Denmark and far beyond. Her novel “The Endless Summer”, published in German in 2018, was enthusiastically received by the press and the public. So it’s high time to finally dive back into the universe of this multi-faceted artist with an evening of music, literature and exhibition.
TIP: The exhibition of Madame Nielsen can also be visited from Thu-12.12. to Sa-14.12. before and after performances.
11.12.2019 19.30 h
Kampnagel – Kmh
ca. 2,5 h including breaks
10 Euro (red. 9 Euro)
SAMLINGEN: TELLING STORIES / SAMLINGEN MEETS HAMBURG
Since 2013 the choreographers Amanda Apetrea (SE), Nadja Hjorton (SE), Halla Ólafsdóttir (IS), Stina Nyberg (SE) and Zoë Poluch (CAN) have been developing works under the label “Samlingen”, which are always compiled from a choreographic and feminist perspective. For NORDWIND Samlingen will be inviting to a workshop to take a closer look at various dances from the respective cultural backgrounds of the participants. The most important element of this unofficial salon is the collection of truths and untruths, demands, expectations, disappointments, as well as successful and unsuccessful achievements.
Workshop: 12.-13.12.2019 18-21 h
Showing 13.12.2019 21 h
Registration for the Workshop until 01.12.: email@example.com
GUNILLA LIND DANSETEATER: VANITY OF MODERN PANIC – V.O.M.P.
The performance VANITY OF MODERN PANIC – V.O.M.P. holds a mirror to our beauty-worshipping society’s botox-stiffened face. Gunilla Lind’s performance asks why we are busy focusing so much on being young, healthy and fit. Make yourself ready for a silicone pumped dance performance about our hunt for the perfect body. A body proportion twisted comedy about the longing for breasts, thighs and buttocks that would make Kim Kardashian turn pale in jealousy.
5., 6.12. 2019 20.30 h
ca. 60 min.
18 Euro (red. 9 Euro)
AMANDA APETREA & HALLA ÓLAFSDÓTTIR: DEAD BY BEAUTY AND THE BEAS
ca. 60 min.
LIV STRÖMQUIST: AUSSTELLUNG
The Swedish artist Liv Strömquist is one of Sweden’s best-known comic artists and most important feminist voices. Her work focuses on her interest in feminist and pop cultural phenomena. In her popular TV and radio formats, she tackles existing social power structures with biting humour and devastating criticism. Three of her graphic novels have now been published in German (Avant Verlag). As part of the Nordwind Festival, a number of selected prints from her books will be exhibited at Kampnagel.
6.-7.12.2019 18 h
Open before and after the shows
ONE MOTHER PRESENTS GLOBAL FEMINIST BAD(B)ASS
With a sound oscillating between RnB, Pop, and HipHop the Hamburg-based label One Mother produces new diasporic narratives that open up room for solidarity, art, and anger management. On the tail of four successful events last season, One Mother again foregrounds Hamburg’s local queer-feminist non-white scene, forging links with international sister acts with new editions of GLOBAL FEMINIST BAD (B)ASS.
7.12.2019 22 h
Kampnagel – KMH
Pay as much as you can
SONYA LINDFORS / MABLE PREACH: DECOLONIAL DREAMING
Within the frame of a Nordwind-residency Sonya Lindfors and the Hamburg director and curator Mable Preach (Artistic Director of the festival Formation Now!, member of the executive board of the network Lukulule e.V.) start an exchange about their respective themes, working methods and artistic approaches, which leads to an open presentation and discussion format.
Sat, 07.12.2019 from 18:00
Kampnagel – K4
Please register via Tickets
Ofelas/ der Fährtenfinder
8 February 2019 at renowned Babylon cinema curtains will be raised for the very first Sámi feature film – Nils Gaup‘s intense 1987 action adventure and oscar nominee OFELAŠ/Pathfinder accompanied by an ensemble of highly acclaimed young contemporary musicians. Set on the Finnmarksvidda plateau, it follows Aigin, a young Sámi hunter who sees his family massacred by Chudes, a tribe from the East. Aigin swears revenge.
Orginal title: OFELAŠ / VEIVISEREN Director: Nils Gaup Screenplay: Nils Gaup
Photography: Eerling Thurmann-Andersen Actors: Mikkel Gaup, Nils Utsi, Nils-Aslak Valkeapää,
Helgi Skúlason, Ingvald Guttorm, Inger Utsi Run time: 1 hour 36 min Year: 1987 Country: Norway
Producer: John M. Jacobsen
Musicians: Jakop Janssonn M. Mortensson Vladislav Demin Magnus Wiik
8.2. 2019 8pm Babylon Berlin
in Norwegian with English subtitles
BETWEEN US: THE KAUNDA SUIT / CHAPTER [EXCERPT II]
n her ongoing body of work, Between Us, Syowia Kyambi asks the question: to what extent do clothes create an identity and how can social roles be transformed through pieces of clothing. Taking the Kaunda suit as her starting point; a suit that was considered a symbol of prestige in Kenya during African independence movement, is now worn by low-level service staff, the artist examines the way social roles are ascribed and social expectations through various different costumes. How much is clothing to be read as an expression of nationalities, genders and status? What personal traits are emphasised or hidden using clothing? Mirrors installed in the space throw the questions back at the audience and always locate the performance on the line between voyeurism and participation.
Wed. 08.11.17, 6:30pm, SAVVY, 3-5 h, open format, no language
MORMOR – THE RESURRECTION
MORMOR – THE RESURRECTION
Markus Öhrn is resurrecting as his own grandmother Eva- Britt, six years after her death. “Mormor – The resurrection” is a Black Metal/Noise/Performance/Installation especially created for the old crematory in Silent Green in Wedding Berlin. Based on his project Azdora, Öhrn continues his work dealing with his grandmother: “Mormor – The resurrection” will be shown for the first and only time by NORDWIND in Berlin
Sat. 10.11.17, 9pm, Silent Green, 1 h , English / Meankeli
Je(u) mit Publikum : eine Improvisation
Is it possible to experience the body and movement simultaneously in dance so that the movement no longer oppresses the body, hides it, even denies it in order to achieve a two-dimensional visual aesthetic? But instead the opposite, to give it back its three-dimensionality, its weight, its materiality, so that the body can be experienced by both the dancers and the audience at the same time? In collaboration with the Swedish dancer Mikael Marklund, with Je(u), Laurent Chétouane has developed a game with oneself in one’s own foreignness, a serious game with the fall from verticality and perhaps a melancholy game with the self in the mirror on the floor: an experience of time.
The pieces Je(u) by Laurent Chétouane and Gula by Vincent Sekwati Koko Mantsoe will be presented for the first time together at NORDWIND and can be seen as a reflection of the different dance traditions in Africa and Europe.
Tue. 07.11.17, 8pm, Silent Green, 30 min,no language
Sat. 09.12.17, 7pm, Kampnagel, 30 min, no language
Sun. 10.12.17, 7pm, Kampnagel, 30 min, no language
For Anahí’s Room, film-maker Ivalo Frank addresses the issue of child abuse in collaboration with five dancers. Based on poems by Jessie Kleemann, the dancers embody the power relationships between people, how memories are inscribed on the body and the arousal of desire against one’s own will. Sensitive and yet still brutal, the boundaries of a person’s own body are sought out, until it loses itself in the powerful taking over of another body. The performance Anahí’s Room, originally developed for a performance film, will be performed live for the first time at NORDWIND.
Tue. 07.11.17, 5:00 pm, SAVVY 30 min
Th. 09.11.17, 7:30 pm, SAVVY 30 min, English, Danish, Greenlandic
All the days of our lives
ALL THE DAYS OF OUR LIVES is situated between blasphemy and violent disobedience. In a bid to undo the layers of violence and domination by another over another. This piece isn’t a call to action of any sort, it is in fact a call to inaction and to inflect upon the new being that European migration have created of us all over the last century of colonisation and how those new humans have created orphans who now migrated equally and people the global capitals, with a crude legitimacy for being there.
This open working session is a quest to establish a new tribe, a tribe devoid of stereotypes and preconceived notion.
Fri. 10.11.17, 7:15 pm, Silent Green, 2 h
Sat. 11.11.17, 6:15 pm, Silent Green, 2 h
Fr. 08.12.17, 8pm, Kampnagel, ca. 60 min
UYARAKQ & CAMBEL NOMI
Subsequent to the performance ‘MorMor’ of Markus Öhrn we will invite the audience to a big closing event where the Greenlandic DJ Uyarakq and DJ Cambel Nomi, the Queen of Afrobeat will open the celebration for a final open end party for the artists and the audience.
DJ Cambel Nomi is German Dj with Ghanaian roots. Her music style is ranging from House, Afrohouse and Afrobeats to Hip Hop, Electro and RnB.
Uyarakq Artist in Residence for NORDWIND.
Sat. 11.11., 11pm, Silent Green
The digital is omnipresent. It shapes our perception of reality, organises our social life, creates new identities and form networks between people beyond borders and cultures. It monitors every detail of our lives. While the internet is often described as a knowledge carrying project, illuminating and educating, the common user has given up on understanding the underlying mechanisms for their digital existence. In his video and lecture performance Cloud Residue, Remin dives deep beneath the surface of ‘The Cloud’, and reveals contexts and ecological consequences of our increased use of ‘big data’.The audience will be guided through an immersive performance in video, light, data and sound.
Fr. 10.11.17, 5:45 pm, SAVVY, 20 min, English
The symposium Non-Orientable Surfaces that will take place as part of ‘Songs of a melting iceberg – Displaced without moving’ will ask questions about the construction of identities, the concept of culture and physical and mental displacement. The festival will bring artistic voices from the Nordic countries and the African continent together and present their possible future visions and strategies of decolonialisation. The symposium will investigate critical concepts like cultures, nationalities and identity constructions, which are categorised by ‘race’, ‘gender’ and ‘class’, and will attempt to seek out ways of thinking that resist this without ideologically loaded prerequisites. The aim is to break through colonialist patterns of thinking and to find new terminology in the sense of an open language not stigmatised by global positions of power. It will also seek to encourage self-reflection on the part of the audience and the artists, to identify their own incarnated positions and question the ‘white’, ‘Western’ view.
7.11., 18:00 Uhr, Silent Green,
8.11., 17:00 Uhr, Savvy
9.11., 17:00 Uhr, Savvy
10.11. 16:30 Uhr, Savvy
11.11. 16:30 Uhr Savvy
The Martyr Museum is a smaller tour version of the original site-specific piece performed in Copenhagen. What is a martyr, who has the right to use the term and what role has the martyr to play in our contemporary world? Our fascination with heroic characters in not a new phenomenon. Nonetheless, we still wonder what makes people die for an idea. Are today’s martyr’s different from those in the past? And what does it mean to die for one’s convictions?
In the exhibit the doors are being opened to the lives, deeds and deaths of the martyrs. During the visit of the mobile museum the audience is guided by a binaural audio experience through the minds of some of the most well know martyrs in their own genres throughout world history. After the audio experience the visitors will have the opportunity to get a closer look at some of the many reconstructions from the collection of the museum. The exhibition by the artists collective The Other Eye of the Tiger in cooperation with Sort/Hvid presents a wide range of martyrs e.g. Saint Stephen, Jeanne D’Arc, Jan Palach & Omar Ismail Mustafai, who was one of the shooters at the Bataclan in Paris. Informative and objective, the exhibition doesn’t honour the martyrs, but rather sheds light on the different aspects that characterise them and helps the audience to stand in the shoes of the martyrs for a brief moment. The exhibition will be accompanied by a series of discussions.
29.11.17 – 06.12.17, Studio 1, Kunstquartier Bethanien
08.12.17 – 16.12.17, Kampnagel, Hamburg
NUIT BLANCHE À OUAGADOUGOU
At a public square at night in Ouagadougou. The country is suddenly awoken. Together some people re-enact the events of the day. “Nuit blanche à Ouagadougou” is inspired by social movements that have shaken Africa in the very recent past. Coulibaly takes a clear political position and has gained international attention. Thus the premiere of the performance coincided with the coup, the people’s uprising against president Blaise Compaoré. Seldom art and reality are as close to each other as here. One of the protagonists of the piece, the rapper Smockey, who wrotes the music and the textes, is among the leaders of the civil rights movement ‘Le balai citoyen’ that brought down Blaise Compaoré’s regime.
Sa. 9.12.17, 8pm, Kampnagel, 60 min
Su. 10.12.17, 7pm, Kampnagel, 60 min
In her production for the largest contemporary dance company in Norway, the Moroccan choreographer Bouchra Ouizguen invited the entire ensemble to join her at home. In Morocco the Nowegian dancers shared Ouizguen’s artistic cosmos. Accompanied by the energetic Moroccan men’s vocals, the dancers move in circular formations, join in groups that form and dissolve. JERADA makes reference to the subject of non-translatable codes as well as their meanings in constructing identities.
Th.14.12.17, 8pm, Kampnagel ca. 60 min.
Fr. 15.12.17, 8pm, Kampnagel ca. 60 min.
Sa. 16.12.17, 8pm, Kampnagel ca. 60 min.
Finnish musician Aleksi Perälä has developed a tone scale that goes beyond classical semitones and is instead composed of 128 tonal sequences. He creates highly diverse experimental sounds – a mix of twilight-ambient music, Erik Satie-style keyboard cameos, mythical and hypnotic sounds and deep, eerie basses and masterfully subtle techno. Perälä will abduct his audience into his inscrutable musical universe during the last night of the Nordwind Festival.
16.12.17, 10pm, Kampnagel
RÉBECCA CHAILLON: CARTE NOIRE NOMMÉE DÉSIR
With her artistic works, Rebécca Chaillon is a critical, controversial voice in France’s post-colonial discourse. In this new work she reflects her situation as a French woman with roots in Martinique, her lived experiences with racism and the paradoxical and multiple tensions when it comes to the subject of love and desire. Her anti-racist and queer attitude in the active struggle for Afro-feminism is the essential basis of Rebecca Chaillon’s artistic work.
7., 8. 12. 2019 19 h
ca. 90. min
10 Euro (red. 5 Euro)
French with German Subtitles
JENNY HVAL: THE PRATICE OF LOVE
11.12.2019 20 h
Kampnagel – K6
Presale 25 Euro / Evening 28 Euro
SONYA LINDFORS: COSMIC LATTE
“Cosmic Latte” is a name given by researchers for the average colour of the universe. In Sonya Lindfors’ performance the term stands for defining, reimagining and dreaming blackness and black identity. Afrofuturism provides the framework for the radical dreaming that is COSMIC LATTE. The performance plays with the idea of an utopian future where present, future and past are present in a boundless, mysterious in between space. It is the third part of a trilogy in which young choreographer Sonya Lindfors focuses on blackness on stage.
13., 14. 12. 2019 19 h
ca. 80 min.
18 Euro (red. 9 Euro)
Language is no problem
Kampnagel – P1
LISA LIE/ PONR: I CLONI
In I CLONI Norwegian director and performer Lisa Lie asks if there exists a death after life. We are at the inn, a place between life and death where strangers meet and share everything simply because they are strangers and there are no consequences. I CLONI takes us on a journey past the edge of the real world where everything dissolves but everyone continues to talk. The doors are now open, transparent to all the evil in the world.
14.12.2019 19.30 h
18 Euro (red. 9 Euro)
Norwegian with German subtitles
CAROLIN JÜNGST/ LISA RYKENA: SHE LEGEND
In their new production SHE LEGEND, the Hamburg choreographer duo Rykena/Jüngst is whirling up the queer potential of the comic world and confusing traditional heroic ideals. They interrogate their own hero-innocence and embody non-conformist figures who fight for the abolition of masculinized (single)heroism.
4.-7.12.2019 19.30 h
Kampnagel – K1
No Festival would be complete without this classic form of entertainment-solidarity. Where else can the joyful (games, fun, diversion) be combined with the helpful (charity)? If luck holds out, there will also be an un-loseable raffle, along with countless other aces up countless other sleeves. It will be as worthwhile as ever and don’t forget: When you lose, others win! Strong drinks, liqueur and soft music will also be on offer – we promise!
SOLICASINO and NORDWIND is funded within the framework of the International Production Houses Alliance by the Federal Government Commissioner for Culture and the Media.
12., 13.12.2019 20.30 h
14.12.2019 21.30 h
Kampnagel – KMH
THE FAMOUS LAUREN BARRI HOLSTEIN: THEATERWORKSHOP ZU POPKULTUR, FEMINISMUS UND IDENTITÄT
Hatred against women and all those existing beyond conventional ideas of gender and sexual or romantic orientation is present globally. Social media, magazines and antifeminist statements by celebrities spam especially women with contradicting messages on what they are supposed to be and represent. This workshop will explore this difficult terrain under the lead of London-based choreographer and performance artist THE FAMOUS Lauren Barri Holstein.
As Holstein puts it:
“We will learn about contemporary, radical practices in theatre, art and performance that question our understanding of what theatre/performance can be. We will encourage ourselves to explore our bodies as means of both composition and meaning. We will get a clearer idea of how pop culture – pop stars, celebrity culture, social media, YouTube and other things that I’m too old for – has influenced our self-worth and our relation to our own bodies, to origin, race, culture, sex, gender, class, abilities, politics etc. This will be an intense, risky, weird, goofy, inspiring and challenging workshop. Get ready for something strange!”
We aim to create a space in which mainstream feminism can and shall be criticised for its whiteness and for not reflecting on its privilege. Therefore, we particularly encourage those to apply who experience othering and marginalisation in aspects such as origin, race, culture, religion, queerness, gender or disability. We want to enter in exchange with a diverse as possible group.
Please send your application including your name, date of birth, email, phone number, photo, availability during the rehearsal weeks and a short motivation letter (half page) to firstname.lastname@example.org by 1. December.
For more information click here
Women in Battle-Rebellische Frauen
In her poetry collection, ‘Why am I so sad when I am so cute’, Ingvild Lothe offers a succinct commentary on the role of women in the 1980s. Her writing playfully addresses expectations, career dreams, sexuality, the Tinder craze and loneliness. She is followed by the trio Amina Bile, Sofia Nesrine Srour and Nancy Herz: they scrutinise integration from a new angle, providing profound insights into the lives of young Muslim women in Norway’s welfare state. Lastly,Marta Breen’s graphic novel, ‘Rebellious Women’ gives a humorous and visually appealing overview of the last 150 years of the feminist battle. The evening will be lead by the Berlin-based collective Fx Trouble, which consists of the choreographers and artists Roni Katz, Agata Siniarska and Xenia Tanik Dwertmann. For several years, the friendship-based collective has run VULVA CLUB in various Berlin locations, a platform from which they, alongside other artists, present queer and feminist responses to current issues and discourses. The second evening introduces performer Anne Tismer and writer as well as filmmaker Lars Brandt with Julia Voss guiding the discussion on the forgotten Norwegian author Dagny Juel.
25.10//7.11.2019 Literaturhaus Berlin 7.30 pm
in English and German
A Madame Nielsen Evening
A evening on the exceptional artist Madame Nielsen.
One day and one night the literature house Berlin will be transformed into a Nielsen universe through performances, readings, debate, exhibitions, installations and a late night concert by the Nielsen Sisters. German voice: Sabin Tambrea presentation: Julia Encke
16.11/17.11. 2018 18.30h in german and danish
THE BEATIFICATION OF FERAL BENGA
In his performance The BEATification of Feral Benga, Athi-Patra Ruga will carry out the BEATification of the cabaret artist and dancer Feral Benga, who saw himself as the male equivalent of Josephine Baker. Combining pictures of the Cabaret Nègre in Berlin in the twenties and performances by the two dancers, the question of which images nations and nationalism depend on will be critically explored. In a celebration that switches between exoticism, its parody and ecstasy, Ruga will unite both artists in himself and, in a ritual full of dystopian energy and dark power, allow the audience to take part in a dance it will not be able to resist losing itself in.
Th. 09.11.17, 8:15pm, Silent Green, 40 min open end, English / Xhosa
As part of NORDWIND Festival 2017, Vincent Sekwati Koko Mantsoe will show his second solo performance developed by himself: Gula (Bird). Birds as a world of fascination: they can fly, communicate with their bodies, can maintain their position in the air against
the wind and communicate via harmonies – precisely and unceasingly. Mantsoe goes in search of the movement of birds and creates
a fascinating dance piece somewhere between break-dance, ballet and traditional African dance that suspends gravity.
The pieces Je(u) by Laurent Chétouane and Gula by Vincent Sekwati Koko Mantsoe will be presented for the first time together at NORDWIND and can be seenas a reflection of the different dance traditions inAfrica and Europe.
Sat. 09.12.17, 7pm, Kampnagel, 30 min, no language
Sun. 10.12.17, 7pm, Kampnagel, 30 min, no language
Tue. 07.11.17, 8pm, Silent Green, 30 min, no language
WHEN YOUR REFLECTION SPEAKS
Based on the story of the Inuit, whose ancestors were dragged around Europe as exhibits in the eighteenth century, Laakkuluk Williamson Bathory goes in search of her own ancestors and links them with current questions: what does it mean to be forced into a role?
How much do cultures depend on codified images? How can these images be changed, distorted, painted over? Williamson Bathory suspends the traditional post-colonial view in her piece through the combination of the traditional Greenlandic mask dance, uaajeerneq, and contemporary video art. In a powerful performance that moves between dance, video and orchestral music, she creates a space that expresses both an atmosphere of irony and mischief, and of violence and fear.
Sa. 11.11.17, 6pm, SAVVY,1 h
So. 12.11.17, 7pm, SAVVY, 1
STILL / LIFE
STILL/LIFE is simply the story of the rise and fall of man, and the cycle of time within which we are caught. Qudus Onikeku intend to simultaneously make visible the head and the tail of the same coin at the same time, to identify those motives that preoccupies men of power, and slowly transform them into a murderous monster. Above all, he invites his audience to confront their contradictions and oppositions, to reflect on schizophrenia, as a symptomatic feature of the world mankind lives in. In this highly collaborative piece, this proposition is dealt with great virtuosity and combining dance, acrobatics, music, oral poetry, video and visual art.
Fri. 10.11.17, 7:15 pm, Silent Green, 2 h
Sat. 11.11.17, 6:15 pm, Silent Green, 2 h
Fr. 08.12.17, 8pm, Kampnagel, ca. 60 min
JIMI TENOR UND KABU KABU
Working with the West African group Kabu Kabu since 2006, the world famous Finnish musician Jimi Tenor has developed a musical mixture somewhere between Afrobeat and jazz. Their album, Mystery of Aether, released in 2012, is the fifth album the musicians have recorded together. Jimi Tenor and Kabu Kabu will now present their music to the Berlin audience for the first time at NORDWIND: full of energy and humour, and extremely danceable.
On the 09.11.17, Athi-Patra Ruga will improvise with Jimi Tenor and Kabu Kabu in a jamming session.
Th. 09.11.17, 9pm, Silent Green
Dolastallat – To have a campfire is an experimental short film, which tells about a Sámi woman going to the mountains in Kola Peninsula, and having a modern campfire with an unexpected creature. The vast landscape has hints of Arctic mining industry, and there is also a reference to the old Sámi myth. The work is also a portrait of its auteur.
(Part of the Symposium Non-Orientable Surface)
In 1985, Dafna Maimon’s father opened the first falafel and kebab restaurant in Finland; Orient Express. Located in a shopping mall in Helsinki city centre, the restaurant introduced Finns to the previously unknown delicacies of the Middle East. At the same time, the fast-food restaurant was for many immigrants a work place that provided them with the documents necessary to obtain a residence permit and a start of a new life in Finland. Some years ago, Maimon found a rather strange high-budget video ad from 1986, which her father had produced, and which used his own exoticness in a high paced narrative to market kebabs in Finland. Starting from this autobiographical material and video-relic, Maimon is conducting a micro historical research, in which the workings of memory, family roles and the effects of destructive patriarchal structures are analyzed and weaved into a world of docufiction, spanning over performance video and installation. At the symposium on the 11th of November, Maimon will show the original ad and give a talk about her work-process and experience of growing up within a culture-clashing environment in which very patriarchal albeit ‘liberal’ behavior was the way of life. In Galerie Wedding,
she will restage set elements and surroundings from the Orient Express ad, in which she will blend her own present experiences with her father’s autobiographical-material.
Supported by the Finnish Institute Berlin.
16.11.17 – 13.01.18, Galerie Wedding
Symposium ‚Perspectives – New Production Modules‘
Taking curatorial practice and artistic development that is becoming increasingly global and networked as its starting point, the symposium participants will ask the following question: which production models are possible in the context of international cooperation? Moving away from working conditions based on financial and staff hierarchies, strategies are to be developed in which resources are shared equally and funding functions as a transmitter without having an effect on artistic decisions.
Hegemonies and dominances in the shared working process will be critically questioned and their causes discussed in dialogue. Especially for artistic processes, in which the artistic potential dominates more strongly on the one side and the financial funding on the other, possibilities for equality in working structures are to be found. With its many artists from the African continent and the Nordic countries, as well as working with different funding bodies and supporters, the NORDWIND festival will provide the starting point and main material for discussion at the symposium.
So., 12.11., 15:00 Uhr, Silent Green
Syowia Kyambi (Kenia)
is a Kenyan-German artist, who investigates how much one’s own biography is influenced by attributions of gender and sexuality, memories, colonisation and experiences of racism.
Wayne Ashley (USA)
is Founder and Executive Producer of ‘FuturePerfect Productions’ an interdisciplinary production company that focuses on the intersection between media, visual art, live performance, and technology in New York.
Xander Seren (USA)
is Associate Producer of FuturePerfect Productions. Seren has been working with the company since 2015. He is a composer, musician and computer programmer and has done commissioned and institutional work for New York arts organizations Rhizome and Issue Project Room.
Represented by Nils Voges and Edith Nana Tchuiang
Founded in 2004 in Bochum, the kainkollektiv is a international working artist collective, creating collaborations between installations, theatre and performances.
Berangère Jannelle (FR)
Founder of the France collektiv La Ricotta, a multimedia working artist collective, creating works about political and socially relevant issues.
Mona Guichard (GER / FR)
Cultural Attaché of the Institut français in Germany
And representatives of the Goethe-Institut:
Director Goethe-Institut Democratic Republic of the Congo
Representative for Dance and Performance Goethe-Institut
MÄRCHENSTUNDE MIT RENATE STAHL – DIE KICK-ASSQUEEREOKÉ (DEUTSCHLAND)
Once upon a time … a long, long time ago, there was a beautiful princess who wanted to be a contestant on The Voice, but failed miserably. Because she embarrassed herself in front of the whole kingdom, she was to be beheaded. But she was saved from her oubliette by a horde of oddly singing, no f***s giving, hipster homos. They lived happily ever after, mainly because their off-key notes created a king of bulletproof protective shield. Yes, we are talking about KICK-ASS-QUEEREEOKÉ, your magical karaoke show with fairy-power and a lot of bitchcraft!
Sa, 09.12., 10pm, Kampnagel
LOST IN THE HORIZON
Samovarteateret is the northern most professional theatre in the world, located in the northern Norwegian town Kirkenes. The town is located only 12 kilometres from the Russian border and 50 kilometres from the Finnish one. Just as Lampedusa is the southernmost Schengen border, Kirkenes abuts the northernmost. For more than 27 years Samovarteateret has developed new-written drama from this border region, and develop their one working methodology. Samovarteateret will present work in proses from the new performance they are producing LOST IN THE HORIZON. The starting point for this proses was the Schengen border. At Kampnagel, they also will document their multilingual artistic work with videos and early excerpts from the proses with LOST IN THE HORIZON. And they will invite viewers to a workshop for the exchange of the Samovar Methodology.
Sat 09.12.17, 6pm, Kampnagel
Sun 09.12.17, 6pm, Kampnagel
QUEENS IN EXILE
QUEENS IN EXILE is a journey that utilises throat singing from two polarities: that of the Xhosa (Thembu) Umnqokolo and the award-winning Canadian (Inuk) musician Tanya Tagaq. Together with musician and performer Angel-Ho, Athi-Patra Ruga and Tanya Tagaq will celebrate a ritual of dystopian energy and abysmal power. Their songs of displacement and unrequited love set the tone for the new struggles for a generation in exile.
Sa. 16.12.17, 9pm, Kampnagel