
Erna Ómarsdóttir is the artistic director of Iceland Dance Company. Following her studies at the Performing Arts Research and Training Studios in Brussels (P.A.R.T.S) under the direction of Anne Teresa De Keersmaeker, she has worked with choreographers such as Sidi Larbi Cherkaoui, Jan Fabre, Damien Jalet, and Les Ballets C de la B. She has collaborated with artists such as Björk, Matthew Barney, Ben Frost, Gabríela Fridriksdottir, Jóhann Jóhannsson, Ragnar Kjartansson and Sigur Rós. Omarsdottir is a six-time winner of Gríman, the Icelandic theatre award for dance, and in 2019 she was nominated for the prestigious German theatre prize Der Faust for her version of ‘Romeo and Juliet’, created together with choreographer Halla Olafsdottir for the Gärtnerplatztheater in Munich in 2018. As an independent artist, and as the artistic director of Iceland Dance Company, Omarsdottir has created and directed a number of highly acclaimed works that have been shown internationally. She is the director and head choreographer for Orpheus and Eurydice at the NORDWIND Festival 2021 at Kampnagel Hamburg and in 2022 at Theater Freiburg.
Dez202117(Dez 17)20:00ORPHEUS + EURYDICE – The Orphic Cycles20:00 Theater Freiburg
Veranstaltungsdetails
World Premiere The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since
Veranstaltungsdetails
World Premiere
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the elementary motives of humanity that are discussed here: love, art, and death. The popular myth itself is derived from the even older story about Demeter, who lost her daughter Persephone to Hades and the underworld. In her honor, mystic celebrations of several days were held in ancient Greece, through which dances, making music together, singing, screaming, and lamenting became central elements of the ritualistic search for Persephone.
The multidisciplinary Icelandic artist Erna Ómarsdóttir reinterprets the myth of Orpheus in five cycles of eternal growth and decay, intertwining ancient and Indo-European legends as well as contemporary subjects. With a mixed cast of actors from the Freiburg Theater and dancers from the Iceland Dance Company, she examines the metamorphoses and reproductive forces of culture and art, which over time have made Mother Earth a skilled lyre player and her offspring his tragic bride, who follows her husband silently and on soft soles.
In her new borderline-musical, Erna Ómarsdóttir questions the dualisms of life and death, understanding and feeling, artistic creation and silence, man and woman … – Who has the Golden Fleece? Where do the snakes come from? And does Eurydice actually want to go back to the (upper) world?
- Erna Ómarsdóttir – direction and choreography
- Gabríela Friðriksdóttir – stage design and costumes
- Valdimar Jóhansson, Skúli Sverrisson – composition and arrangemens
- Valdimar Jóhansson – video design
- Bjarni Jónsson – text and translation
- Tamina Theiß – dramaturgy
On stage: Felix Urbina Alejandre, Una Björg Bjarnadóttir, Thieß Brammer, Victor Calero, Janna Horstmann, Henry Meyer, Stefanie Mrachacz, Ho-Ching Charmene Pang, Saga Sigurðardóttir, Michael Witte
ORPHEUS + EURYDICE – The Orphic Cycles is a co-production of Theater Freiburg and Iceland Dance Company with NORDWIND Festival and Kampnagel Hamburg. Funded by the German Federal Cultural Foundation. Funded by the Federal Government Commissioner for Culture and the Media. Funded by the Innovation Fund for arts of the State of Baden-Württemberg
Dez202118(Dez 18)18:00Sound of Silence – the silent Eurydice18:00 Theater Freiburg
Veranstaltungsdetails
Panel discussion with Mateja Meded, Wiebke Hüster (moderation) and the artistic production team. Orpheus takes what appears to be the greatest risk imaginable: he challenges the gods to snatch
Veranstaltungsdetails
Panel discussion with Mateja Meded, Wiebke Hüster (moderation) and the artistic production team.
Orpheus takes what appears to be the greatest risk imaginable: he challenges the gods to snatch his beloved from death. But shortly before the goal he fails. He looks back, so that his ideal creature disappears again in Hades despite all the pleading. The question of why Orpheus turns around has preoccupied poets and thinkers for generations. But did Eurydice even want to go back to the (upper) world? How much self-determination can she achieve in death that she seemed denied in life? Does the loss (or overcoming ?!) of life even turn her from the object of negotiation – from the muse and projection screen of the talented artist Orpheus – to the doer?
In many of her works, the actress and author Mateja Meded deals with the image of women in art and society. Her humorous and pointedly critical columns are published in Die Zeit or the Berliner Zeitung, among others. As an actress, Mateja Meded was, among other things, a member of the ensemble at the Maxim Gorki Theater in Berlin and in various film productions.
Journalist Wiebke Hüster writes for FAZ and Die Zeit and also works as an editor for Deutschlandfunk and WDR. Her reviews repeatedly raise the question of locating current dance productions in a contemporary cultural canon and call for an innovative and historical contextualization of dance and dance theater.
Erna Ómarsdottir is a choreographer, dancer and director of the Iceland Dance Company. She has worked with artists and companies such as Damien Jalet, Sidi Larbi Cherkaoui and Les Ballets C de la B. Her latest work ORPHEUS UND EURYDIKE – THE ORPHIC CYCLES will premiere on December 17, 2021 at the Theater Freiburg and then be resumed (January, 27-29.2022) at Kampnagel Hamburg.
Dez202118(Dez 18)20:00ORPHEUS + EURYDICE – The Orphic Cycles20:00 Theater Freiburg
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the elementary motives of humanity that are discussed here: love, art, and death. The popular myth itself is derived from the even older story about Demeter, who lost her daughter Persephone to Hades and the underworld. In her honor, mystic celebrations of several days were held in ancient Greece, through which dances, making music together, singing, screaming, and lamenting became central elements of the ritualistic search for Persephone.
The multidisciplinary Icelandic artist Erna Ómarsdóttir reinterprets the myth of Orpheus in five cycles of eternal growth and decay, intertwining ancient and Indo-European legends as well as contemporary subjects. With a mixed cast of actors from the Freiburg Theater and dancers from the Iceland Dance Company, she examines the metamorphoses and reproductive forces of culture and art, which over time have made Mother Earth a skilled lyre player and her offspring his tragic bride, who follows her husband silently and on soft soles.
In her new borderline-musical, Erna Ómarsdóttir questions the dualisms of life and death, understanding and feeling, artistic creation and silence, man and woman … – Who has the Golden Fleece? Where do the snakes come from? And does Eurydice actually want to go back to the (upper) world?
- Erna Ómarsdóttir – direction and choreography
- Gabríela Friðriksdóttir – stage design and costumes
- Valdimar Jóhansson, Skúli Sverrisson – composition and arrangemens
- Valdimar Jóhansson – video design
- Bjarni Jónsson – text and translation
- Tamina Theiß – dramaturgy
On stage: Felix Urbina Alejandre, Una Björg Bjarnadóttir, Thieß Brammer, Victor Calero, Janna Horstmann, Henry Meyer, Stefanie Mrachacz, Ho-Ching Charmene Pang, Saga Sigurðardóttir, Michael Witte
ORPHEUS + EURYDICE – The Orphic Cycles is a co-production of Theater Freiburg and Iceland Dance Company with NORDWIND Festival and Kampnagel Hamburg. Funded by the German Federal Cultural Foundation. Funded by the Federal Government Commissioner for Culture and the Media. Funded by the Innovation Fund for arts of the State of Baden-Württemberg
Dez202119(Dez 19)17:00ORPHEUS + EURYDICE – The Orphic Cycles17:00 Theater Freiburg
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the elementary motives of humanity that are discussed here: love, art, and death. The popular myth itself is derived from the even older story about Demeter, who lost her daughter Persephone to Hades and the underworld. In her honor, mystic celebrations of several days were held in ancient Greece, through which dances, making music together, singing, screaming, and lamenting became central elements of the ritualistic search for Persephone.
The multidisciplinary Icelandic artist Erna Ómarsdóttir reinterprets the myth of Orpheus in five cycles of eternal growth and decay, intertwining ancient and Indo-European legends as well as contemporary subjects. With a mixed cast of actors from the Freiburg Theater and dancers from the Iceland Dance Company, she examines the metamorphoses and reproductive forces of culture and art, which over time have made Mother Earth a skilled lyre player and her offspring his tragic bride, who follows her husband silently and on soft soles.
In her new borderline-musical, Erna Ómarsdóttir questions the dualisms of life and death, understanding and feeling, artistic creation and silence, man and woman … – Who has the Golden Fleece? Where do the snakes come from? And does Eurydice actually want to go back to the (upper) world?
- Erna Ómarsdóttir – direction and choreography
- Gabríela Friðriksdóttir – stage design and costumes
- Valdimar Jóhansson, Skúli Sverrisson – composition and arrangemens
- Valdimar Jóhansson – video design
- Bjarni Jónsson – text and translation
- Tamina Theiß – dramaturgy
On stage: Felix Urbina Alejandre, Una Björg Bjarnadóttir, Thieß Brammer, Victor Calero, Janna Horstmann, Henry Meyer, Stefanie Mrachacz, Ho-Ching Charmene Pang, Saga Sigurðardóttir, Michael Witte
ORPHEUS + EURYDICE – The Orphic Cycles is a co-production of Theater Freiburg and Iceland Dance Company with NORDWIND Festival and Kampnagel Hamburg. Funded by the German Federal Cultural Foundation. Funded by the Federal Government Commissioner for Culture and the Media. Funded by the Innovation Fund for arts of the State of Baden-Württemberg
Jan202227(Jan 27)19:30ORPHEUS + EURYDICE – The Orphic Cycles19:30 Kampnagel – K6
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the elementary motives of humanity that are discussed here: love, art, and death. The popular myth itself is derived from the even older story about Demeter, who lost her daughter Persephone to Hades and the underworld. In her honor, mystic celebrations of several days were held in ancient Greece, through which dances, making music together, singing, screaming, and lamenting became central elements of the ritualistic search for Persephone.
The multidisciplinary Icelandic artist Erna Ómarsdóttir reinterprets the myth of Orpheus in five cycles of eternal growth and decay, intertwining ancient and Indo-European legends as well as contemporary subjects. With a mixed cast of actors from the Freiburg Theater and dancers from the Iceland Dance Company, she examines the metamorphoses and reproductive forces of culture and art, which over time have made Mother Earth a skilled lyre player and her offspring his tragic bride, who follows her husband silently and on soft soles.
In her new borderline-musical, Erna Ómarsdóttir questions the dualisms of life and death, understanding and feeling, artistic creation and silence, man and woman … – Who has the Golden Fleece? Where do the snakes come from? And does Eurydice actually want to go back to the (upper) world?
- Erna Ómarsdóttir – direction and choreography
- Gabríela Friðriksdóttir – stage design and costumes
- Valdimar Jóhansson, Skúli Sverrisson – composition and arrangemens
- Valdimar Jóhansson – video design
- Bjarni Jónsson – text and translation
- Tamina Theiß – dramaturgy
On stage: Felix Urbina Alejandre, Una Björg Bjarnadóttir, Thieß Brammer, Victor Calero, Janna Horstmann, Henry Meyer, Stefanie Mrachacz, Ho-Ching Charmene Pang, Saga Sigurðardóttir, Michael Witte
ORPHEUS + EURYDICE – The Orphic Cycles is a co-production of Theater Freiburg and Iceland Dance Company with NORDWIND Festival and Kampnagel Hamburg. Funded by the German Federal Cultural Foundation. Funded by the Federal Government Commissioner for Culture and the Media. Funded by the Innovation Fund for arts of the State of Baden-Württemberg
Jan202228(Jan 28)19:30ORPHEUS + EURYDICE – The Orphic Cycles19:30 Kampnagel – K6
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the elementary motives of humanity that are discussed here: love, art, and death. The popular myth itself is derived from the even older story about Demeter, who lost her daughter Persephone to Hades and the underworld. In her honor, mystic celebrations of several days were held in ancient Greece, through which dances, making music together, singing, screaming, and lamenting became central elements of the ritualistic search for Persephone.
The multidisciplinary Icelandic artist Erna Ómarsdóttir reinterprets the myth of Orpheus in five cycles of eternal growth and decay, intertwining ancient and Indo-European legends as well as contemporary subjects. With a mixed cast of actors from the Freiburg Theater and dancers from the Iceland Dance Company, she examines the metamorphoses and reproductive forces of culture and art, which over time have made Mother Earth a skilled lyre player and her offspring his tragic bride, who follows her husband silently and on soft soles.
In her new borderline-musical, Erna Ómarsdóttir questions the dualisms of life and death, understanding and feeling, artistic creation and silence, man and woman … – Who has the Golden Fleece? Where do the snakes come from? And does Eurydice actually want to go back to the (upper) world?
- Erna Ómarsdóttir – direction and choreography
- Gabríela Friðriksdóttir – stage design and costumes
- Valdimar Jóhansson, Skúli Sverrisson – composition and arrangemens
- Valdimar Jóhansson – video design
- Bjarni Jónsson – text and translation
- Tamina Theiß – dramaturgy
On stage: Felix Urbina Alejandre, Una Björg Bjarnadóttir, Thieß Brammer, Victor Calero, Janna Horstmann, Henry Meyer, Stefanie Mrachacz, Ho-Ching Charmene Pang, Saga Sigurðardóttir, Michael Witte
ORPHEUS + EURYDICE – The Orphic Cycles is a co-production of Theater Freiburg and Iceland Dance Company with NORDWIND Festival and Kampnagel Hamburg. Funded by the German Federal Cultural Foundation. Funded by the Federal Government Commissioner for Culture and the Media. Funded by the Innovation Fund for arts of the State of Baden-Württemberg
Jan202229(Jan 29)19:30ORPHEUS + EURYDICE – The Orphic Cycles19:30 Kampnagel – K6
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the
Veranstaltungsdetails
The ancient material about the (im)mortal love between Orpheus and Eurydice is present in countless adaptations. This is hardly surprising since it’s the elementary motives of humanity that are discussed here: love, art, and death. The popular myth itself is derived from the even older story about Demeter, who lost her daughter Persephone to Hades and the underworld. In her honor, mystic celebrations of several days were held in ancient Greece, through which dances, making music together, singing, screaming, and lamenting became central elements of the ritualistic search for Persephone.
The multidisciplinary Icelandic artist Erna Ómarsdóttir reinterprets the myth of Orpheus in five cycles of eternal growth and decay, intertwining ancient and Indo-European legends as well as contemporary subjects. With a mixed cast of actors from the Freiburg Theater and dancers from the Iceland Dance Company, she examines the metamorphoses and reproductive forces of culture and art, which over time have made Mother Earth a skilled lyre player and her offspring his tragic bride, who follows her husband silently and on soft soles.
In her new borderline-musical, Erna Ómarsdóttir questions the dualisms of life and death, understanding and feeling, artistic creation and silence, man and woman … – Who has the Golden Fleece? Where do the snakes come from? And does Eurydice actually want to go back to the (upper) world?
- Erna Ómarsdóttir – direction and choreography
- Gabríela Friðriksdóttir – stage design and costumes
- Valdimar Jóhansson, Skúli Sverrisson – composition and arrangemens
- Valdimar Jóhansson – video design
- Bjarni Jónsson – text and translation
- Tamina Theiß – dramaturgy
On stage: Felix Urbina Alejandre, Una Björg Bjarnadóttir, Thieß Brammer, Victor Calero, Janna Horstmann, Henry Meyer, Stefanie Mrachacz, Ho-Ching Charmene Pang, Saga Sigurðardóttir, Michael Witte
ORPHEUS + EURYDICE – The Orphic Cycles is a co-production of Theater Freiburg and Iceland Dance Company with NORDWIND Festival and Kampnagel Hamburg. Funded by the German Federal Cultural Foundation. Funded by the Federal Government Commissioner for Culture and the Media. Funded by the Innovation Fund for arts of the State of Baden-Württemberg